“THE WORLD THAT I HAVE REMOVED, DIED”
Romualdas Pozherskis - Honored Worker of Culture of Lithuania, a member of the Union of Lithuanian Photographers and the International Federation of FIAP, winner of the Alfred Toefler Award for…

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Alexandra Exter: Amazon, carried away by the whirlwind of the revolution
Malevich, "inventing" Suprematism, did not let anyone into the workshop. The only exception was the avant-garde artist Alexandra Exter. Once a resident of Kiev, having moved to France, she taught…

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FANTASY AND REALITY OF JULI DE VAROKIE PHILOSOPHICAL PHOTO WORLD
She has been in the world of photography quite recently, since 2008, but in four years, Julie has already received seven different photo awards. She is only 23 years old.…

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Classicism: antiquity as a standard

Classicism firmly established in the 17th century European art, having surrendered its position only in the first third of the next century. The classicists worshiped antiquity, piously believed in the idea of ​​the order and logic of the universe, as well as in the limitless possibilities of the human mind.
The time of occurrence, landmarks and artists of classicism
Classicism appeared and was formed in the XVII century. in France, the heyday of absolute monarchy and subsequently spread to Spain, Germany, England, the Netherlands, the USA and Russia, where it arose in the process of Europeanization under Catherine II, who introduced the fashion to everything French. Continue reading

Who, where, when: guide to the thin ice of stained glass

Which of the great artists engaged in stained glass art? Where, looking out the window, you can see the picture, through which the light penetrates? Gaudi, Fly, Chagall, Tiffany and not only – the messengers of the rainbow on Earth.
There are many stained glass techniques, but the main ones that have passed through the centuries are two. The first is the fastening of colored glasses with lead straps. It was used in Germany and France in the era of the Gothic (XII-XVI century.) The second – the application of special paint directly on the glass. It was actively used in the Renaissance (from the 16th century). Modern stained glass artists often use the second option, but everything depends on the taste and style of the author – the technique, as we said, is numerous. Continue reading

EXHIBITION PROJECT “SPECIAL FUND: REPRESSED ART”

The Odessa Art Museum in partnership with the National Art Museum of Ukraine and with the support of the Ukrainian Cultural Foundation presents the project “Special Fund: Repressed Art”.
The exhibition presents 80 works from the collection of NHMU, which were mothballed in the late 1930s and have been hidden from public view for many decades. Most of the works presented in Odessa are exhibited for the first time. Alexander Bogomazov and Timofey Boichuk, Vadim Meller and Antonina Ivanova, Oksana Pavlenko and David Burliuk, Pavel Golubyatnikov and Konstantin Eleva, Anatoly Petritsky and Suher-Ber Rybak, Victor Palmov and Abram Cherkassky – more than three dozen names of artists, known and forgotten, whose works in 1937, it seemed, they were forever hidden from the audience: “they have no artistic or museum value, and, as works of the enemies of the people, are to be destroyed”. Continue reading

ART-TALK: DIMA MIKITENKO
We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of…

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ALEXANDER AND ELENA MIKHAILENKO A PLACE FOR A TALE
In the life of modern man is not so much holidays. But you want to keep pleasant memories, you want to return to them and experience again and again ...…

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KONSTANTIN OF MUSHROOMS ABOUT THE “GENERALITY” OF GENERS OF PHOTO
Fascinated by the magic of film from childhood, Konstantin Gribov from an early age realized that he wanted to link his life with photography. He works in different genres, and…

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