LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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CHRISTOPHER JACQUES: LYRIC WORLD OF RAIN AND SNOW
French photographer Christophe Jacques chooses an unusual time for his work. These are moments when the city is dominated by heavy rain; when the world outside the window, through which…

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ROYAL WORLDS MARGARITS KAREVA
Margarita Kareva began studying photography relatively recently - only about two years ago. Now her portfolio is already a gallery of unique images - magical, beautiful, vivid and memorable. Margarita…

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thoughts

Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!

Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally needed water and everyone reached for the source … The artists did not cheat the decorated source with their attention and it took its place among the picturesque codes. Let’s try to decipher the secret signs of the past and their transformation. So, familiar to all the fountain, as a symbol in the painting.
Strong vertical washstand Continue reading

Alexandra Exter: Amazon, carried away by the whirlwind of the revolution

Malevich, “inventing” Suprematism, did not let anyone into the workshop. The only exception was the avant-garde artist Alexandra Exter. Once a resident of Kiev, having moved to France, she taught at the school of Fernand Leger, created “model” clothes, and after a long oblivion her paintings are now valued “by a million.” Our small excursion is on the Kiev routes of the “Amazon of the Russian avant-garde”.
“Kiev artists are primarily not artists, but some people without any taste, for whom, judging by their works, the drawings on the candy boxes represent an unattainable ideal,” Alexandra Exter wrote these words when she visited one of the city’s art exhibitions in 1912 year Continue reading

RUN GUNERYUSSEN: THE EASY-SURREALISTIC WORLD

The heroes of the conceptual work of the photo artist Rune Gunerjussen – furniture, electrical appliances and telephones. Lamps arrange revolutions and travel. Chairs dance, debate and admire nature. Phones are submerged, talking and hugging. By a surreal comparison of interior objects and people’s behavior, the photographer hints at the absurdity of human attempts to conquer nature. Continue reading

ART-TALK: DIMA MIKITENKO
We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of…

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RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS
Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even…

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Pleated fabric. Draperies as a symbol in art
Folded fabric as a visual code accumulates a powerful expressive power. Since the beginnings of classical sculpture, drapery has been a powerful visual tool. In the Middle Ages, it appeared…

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