CODRIN LUPE: “PHOTOGRAPHY AS A WAY OF LIBERATION”
Romanian photographer Codrin Lupey began photographing 11 years ago when his daughter was born. “At that time, I could not have imagined that the photo would open up a whole…

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ERNST HAAAS: "EXPERIMENTAL ARTIST"
Ernst Haas is a famous photojournalist of the last century who made a huge contribution to the development and recognition of color photography. The best characteristic of this man probably…

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Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!
Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally…

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baptism is honored

Classicism: antiquity as a standard

Classicism firmly established in the 17th century European art, having surrendered its position only in the first third of the next century. The classicists worshiped antiquity, piously believed in the idea of ​​the order and logic of the universe, as well as in the limitless possibilities of the human mind.
The time of occurrence, landmarks and artists of classicism
Classicism appeared and was formed in the XVII century. in France, the heyday of absolute monarchy and subsequently spread to Spain, Germany, England, the Netherlands, the USA and Russia, where it arose in the process of Europeanization under Catherine II, who introduced the fashion to everything French. Continue reading

Iconography: to see the invisible

From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection, trying to convey the spiritual otherness by material means. That is why icon painting is still considered to be the most difficult and rarest art in which human capabilities and divine beginnings are combined.
The copy (from the icon and write), also iconography, isography – a type of Christian church painting, designed to create sacred images – icons.
Such works replaced the written word with paints, just as the Gothic cathedral translated into visual language the scholastics and the secrets of alchemy.
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ART-TALK: DIMA MIKITENKO
We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of…

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“PHOTOGRAPHY IS A WAY TO DISASTER FEAR”
The head of the studio and the news presenter on the Kultura TV channel, the winner of the TEFI award Vladislav Flyarkovsky is an experienced photographer. He has been engaged…

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LOOKING INTO YOURSELF AND IN THE WORLD
Maxim Grigorenko removes mainly film cameras in the multi-exposure technique, and the process itself turns into just some kind of mystery, where the mind and consciousness are moving aside, yielding…

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