“WITHOUT PAIN IS IMPOSSIBLE TO CREATE ANYTHING DEEP”
Zewar Fadhil is a talented photographer from Iraq, a country that in recent decades is not the best place for a photo artist. Nevertheless, he is an example of the…

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Iconography: to see the invisible
From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection,…

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Pleated fabric. Draperies as a symbol in art
Folded fabric as a visual code accumulates a powerful expressive power. Since the beginnings of classical sculpture, drapery has been a powerful visual tool. In the Middle Ages, it appeared…

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LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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beautiful stained

Iconography: to see the invisible

From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection, trying to convey the spiritual otherness by material means. That is why icon painting is still considered to be the most difficult and rarest art in which human capabilities and divine beginnings are combined.
The copy (from the icon and write), also iconography, isography – a type of Christian church painting, designed to create sacred images – icons.
Such works replaced the written word with paints, just as the Gothic cathedral translated into visual language the scholastics and the secrets of alchemy.
What is an icon? Continue reading

Who, where, when: guide to the thin ice of stained glass

Which of the great artists engaged in stained glass art? Where, looking out the window, you can see the picture, through which the light penetrates? Gaudi, Fly, Chagall, Tiffany and not only – the messengers of the rainbow on Earth.
There are many stained glass techniques, but the main ones that have passed through the centuries are two. The first is the fastening of colored glasses with lead straps. It was used in Germany and France in the era of the Gothic (XII-XVI century.) The second – the application of special paint directly on the glass. It was actively used in the Renaissance (from the 16th century). Modern stained glass artists often use the second option, but everything depends on the taste and style of the author – the technique, as we said, is numerous. Continue reading

Without red sad palette. Color as a symbol in painting
It is impossible not to notice. He is one of the most preferred and expressive. He - the first in the history of art, not to mention the chromatic scale.…

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ALEXANDER AND ELENA MIKHAILENKO A PLACE FOR A TALE
In the life of modern man is not so much holidays. But you want to keep pleasant memories, you want to return to them and experience again and again ...…

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