Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!
Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally…

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LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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WAYS TO PHOTOGRAPHY UNDERWATER WORLD AND DO NOT OUTCUT
To catch in the lens of the inhabitants of the underwater world, it is not necessary to dive with an aqualung and acquire expensive equipment for shooting in the water.…

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angry children

Rococo – gloss of the XVIII century

Rococo is called the most frivolous and thoughtless of all styles in art. Why then is rococo so significant for Russian visual culture? Why does the definition of the word “Rococo” sound so exotic for our ear – “rococar”? What is the main difference between rococo and baroque, which people of little knowledge often confuse? Finally, why is rococo the direct and immediate ancestor of modern glossy culture? All of this will be discussed below.
Rococo was born in France of the eighteenth century, although the name itself would legitimize only the next century, the nineteenth.
The style got its name from the French word rocaille – shell or sink. Since ancient times, artificial grottoes and bowls of fountains have been decorated with shells, and later, ornaments repeating the twisted, rounded outlines of sinks began to be actively used in the interior design. By the XVIII century, interest in them only grew. Continue reading

Without red sad palette. Color as a symbol in painting

It is impossible not to notice. He is one of the most preferred and expressive. He – the first in the history of art, not to mention the chromatic scale. He attracted attention to himself since ancient times: and because these are the properties of his nature and of human nature; and because it is associated with such vital concepts as blood and fire. Having absorbed natural meanings, red does not part with them throughout the entire history of mankind.
Ever since antiquity, red has been expressing mostly positive values, but it is also not necessary to discount the coded signals of danger and pain coded in it.
For example, in ancient Egypt, red absorbed the qualities of an uninhabited and barren land and therefore became the color of evil. It is for this reason that Seth, the brother and murderer of Osiris, was painted with red ocher. The same color was used to write words that carried unkind omens. Continue reading

ART-TALK: DIMA MIKITENKO

We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of the project, our heroes, who are directly part of the Ukrainian art sphere, share their thoughts on contemporary art, its role in Ukrainian society and the iconic works of the Odessa Art Museum. This time Masha Zeloeva spoke with artist Dima Mykytenko, who in his works combines arbitrary forms with graphic elements, creating his own visual poetry. Continue reading

ART PHOTO AND BLOCKCHAIN
1. For every potential (and real) buyer of a visual work of art (in our case, photography) thousands of images fall down every day. And even despite the constant growth…

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“PHOTOGRAPHY IS A WAY TO DISASTER FEAR”
The head of the studio and the news presenter on the Kultura TV channel, the winner of the TEFI award Vladislav Flyarkovsky is an experienced photographer. He has been engaged…

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Fayum portraits
These amazing works of art, which are often called “icons before icon painting”, are not just historical values. They can serve as a magnificent and impressive illustration of the mutual…

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