ANDREY BELKOV: MEDITATING WITH A CAMERA
Photography for Andrey is a passion that takes up all his time, free from main activity. That's why he loves landscape and still life, because these genres give him the…

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Fayum portraits
These amazing works of art, which are often called “icons before icon painting”, are not just historical values. They can serve as a magnificent and impressive illustration of the mutual…

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LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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Transmuseum by Igor Gusev in OXM
In October 2018, the Odessa Art Museum opened the Transmuseum experimental project of the artist Igor Gusev, which became an artistic intervention in the museum exhibition of classical art. Getting…

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great artists

Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!

Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally needed water and everyone reached for the source … The artists did not cheat the decorated source with their attention and it took its place among the picturesque codes. Let’s try to decipher the secret signs of the past and their transformation. So, familiar to all the fountain, as a symbol in the painting.
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ART-TALK: DIMA MIKITENKO

We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of the project, our heroes, who are directly part of the Ukrainian art sphere, share their thoughts on contemporary art, its role in Ukrainian society and the iconic works of the Odessa Art Museum. This time Masha Zeloeva spoke with artist Dima Mykytenko, who in his works combines arbitrary forms with graphic elements, creating his own visual poetry. Continue reading

RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS

Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even mysticism are the characteristic features of such works. We represent 15 authors working in this genre.
Another French photographer, Jean Baudrillard, said: “If there is no such ambiguity, this tremor, if the action is completely mechanistic, if the system is unmistakably focused, then we will be on the verge of insanity. Continue reading

“THE WORLD THAT I HAVE REMOVED, DIED”
Romualdas Pozherskis - Honored Worker of Culture of Lithuania, a member of the Union of Lithuanian Photographers and the International Federation of FIAP, winner of the Alfred Toefler Award for…

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Transmuseum by Igor Gusev in OXM
In October 2018, the Odessa Art Museum opened the Transmuseum experimental project of the artist Igor Gusev, which became an artistic intervention in the museum exhibition of classical art. Getting…

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