world art

Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!
Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally…

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ANNA YERMOLOVA: "COMMUNICATION WITH THE HELP OF A PHOTO"
The young Moscow photographer Anna Yermolova is one of those people who consider photography as their profession, so she began with a serious special education. By the way, she only…

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LOOKING INTO YOURSELF AND IN THE WORLD
Maxim Grigorenko removes mainly film cameras in the multi-exposure technique, and the process itself turns into just some kind of mystery, where the mind and consciousness are moving aside, yielding…

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Iconography: to see the invisible

From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection, trying to convey the spiritual otherness by material means. That is why icon painting is still considered to be the most difficult and rarest art in which human capabilities and divine beginnings are combined.
The copy (from the icon and write), also iconography, isography – a type of Christian church painting, designed to create sacred images – icons.
Such works replaced the written word with paints, just as the Gothic cathedral translated into visual language the scholastics and the secrets of alchemy.
What is an icon? Continue reading

Fayum portraits

These amazing works of art, which are often called “icons before icon painting”, are not just historical values. They can serve as a magnificent and impressive illustration of the mutual penetration of cultures.
The Fayum portraits were created for the ritual of burial in ancient Egypt during the times of Roman rule of the first and third centuries of our era.
The first find in the Fayum oasis in 1887 assigned them the name Fayum. Portraits continued to be called, even discovering similar treasures in other parts of Egypt. To date, about 750 ancient masterpieces have been collected. Continue reading

PORTRAITS as a mirror of the soul

Portrait is a realistic genre depicting a person or a group of people existing in reality. The portrait – in French reading – portrait, from the old French portraire – “to reproduce something the line in line”. Another facet of the name of the portrait lies in the outdated word “parsuna” – from the Latin. persona – “personality; individual”.
The origin of the term “portrait”
The Frenchman Andre Felibien (1619 – 1695), the official court historian of King Louis XIV, was the first to suggest that the word “portrait” be the images of exclusively “human beings”, thereby separating man from the animal and plant worlds.
The origin of the portrait genre Continue reading

Alexandra Exter: Amazon, carried away by the whirlwind of the revolution

Malevich, “inventing” Suprematism, did not let anyone into the workshop. The only exception was the avant-garde artist Alexandra Exter. Once a resident of Kiev, having moved to France, she taught at the school of Fernand Leger, created “model” clothes, and after a long oblivion her paintings are now valued “by a million.” Our small excursion is on the Kiev routes of the “Amazon of the Russian avant-garde”.
“Kiev artists are primarily not artists, but some people without any taste, for whom, judging by their works, the drawings on the candy boxes represent an unattainable ideal,” Alexandra Exter wrote these words when she visited one of the city’s art exhibitions in 1912 year Continue reading

Modern: Russian names.

In every country, modernity had its own name, face, and character. In Russia, the style was called art nouveau, and its representatives skillfully interweaved folklore and that mysterious Russian soul into modern art. This was done gracefully and unobtrusively.
Mikhail Vrubel. All artist demons
“Demon sitting” – a picture that can be attributed to the symbolism and modernity. According to the semantic content, this is rather symbolism, because, as Vrubel wrote, “the demon is not so much evil as suffering and sorrowful, with all this a powerful, dignified spirit”. He is a symbol of the inner struggle of man. Continue reading

ART PHOTO AND BLOCKCHAIN
1. For every potential (and real) buyer of a visual work of art (in our case, photography) thousands of images fall down every day. And even despite the constant growth…

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ART-TALK: DIMA MIKITENKO
We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of…

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“WITHOUT PAIN IS IMPOSSIBLE TO CREATE ANYTHING DEEP”
Zewar Fadhil is a talented photographer from Iraq, a country that in recent decades is not the best place for a photo artist. Nevertheless, he is an example of the…

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