TRANSFORMATION OF ART IN THE MODERN WORLD: NO-ART
One of the main features of modern art is the ability to change depending not only on social trends, but also on new technologies that change our world almost every…

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CHRISTOPHER JACQUES: LYRIC WORLD OF RAIN AND SNOW
French photographer Christophe Jacques chooses an unusual time for his work. These are moments when the city is dominated by heavy rain; when the world outside the window, through which…

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ART-TALK: DIMA MIKITENKO
We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of…

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TRANSFORMATION OF ART IN THE MODERN WORLD: NO-ART
One of the main features of modern art is the ability to change depending not only on social trends, but also on new technologies that change our world almost every…

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antique frames

PORTRAITS as a mirror of the soul

Portrait is a realistic genre depicting a person or a group of people existing in reality. The portrait – in French reading – portrait, from the old French portraire – “to reproduce something the line in line”. Another facet of the name of the portrait lies in the outdated word “parsuna” – from the Latin. persona – “personality; individual”.
The origin of the term “portrait”
The Frenchman Andre Felibien (1619 – 1695), the official court historian of King Louis XIV, was the first to suggest that the word “portrait” be the images of exclusively “human beings”, thereby separating man from the animal and plant worlds.
The origin of the portrait genre Continue reading

Transmuseum by Igor Gusev in OXM

In October 2018, the Odessa Art Museum opened the Transmuseum experimental project of the artist Igor Gusev, which became an artistic intervention in the museum exhibition of classical art. Getting into the halls of classical art and being among the paintings of the XIX century, the viewer discovers a visual paraphrase of these images and joins the object search game. The concentration of Gusev’s works in the museum is small – 10 works in 13 rooms, which allows the “invasion” to remain delicate and unobtrusive.
In addition to painting, the artist presented the installation, which is located in the central “dance” hall of the museum palace and is a generalized image of the exhibition. Continue reading

KONSTANTIN OF MUSHROOMS ABOUT THE “GENERALITY” OF GENERS OF PHOTO
Fascinated by the magic of film from childhood, Konstantin Gribov from an early age realized that he wanted to link his life with photography. He works in different genres, and…

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DANCING PAINTS OF FABIAN OEFNER
Swiss photographer Fabian Oefner (Fabian Oefner) is experimenting with color photography to capture the invisible wonders of natural phenomena. Fabian Oefner became interested in photography as a teenager, turning his…

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