world art

Modern: Russian names.
In every country, modernity had its own name, face, and character. In Russia, the style was called art nouveau, and its representatives skillfully interweaved folklore and that mysterious Russian soul…

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Iconography: to see the invisible
From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection,…

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WAYS TO PHOTOGRAPHY UNDERWATER WORLD AND DO NOT OUTCUT
To catch in the lens of the inhabitants of the underwater world, it is not necessary to dive with an aqualung and acquire expensive equipment for shooting in the water.…

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Who, where, when: guide to the thin ice of stained glass

Which of the great artists engaged in stained glass art? Where, looking out the window, you can see the picture, through which the light penetrates? Gaudi, Fly, Chagall, Tiffany and not only – the messengers of the rainbow on Earth.
There are many stained glass techniques, but the main ones that have passed through the centuries are two. The first is the fastening of colored glasses with lead straps. It was used in Germany and France in the era of the Gothic (XII-XVI century.) The second – the application of special paint directly on the glass. It was actively used in the Renaissance (from the 16th century). Modern stained glass artists often use the second option, but everything depends on the taste and style of the author – the technique, as we said, is numerous. Continue reading

Gothic: the whole mystic of the Middle Ages

Gothic originated in the middle of the XII century in northern France, in the XIII century, spread to the territory of modern Germany, Austria, the Czech Republic, Spain, England, and at the end of the XIV century, came to Italy. In Eastern Europe, style came later and lasted the longest – until the XVI century.
This happened because Gothic replaced the Romanesque style, which originated and spread from Italy – the country unconsciously resisted new trends from the outside.
Of course, the Gothic style is most noticeable in architecture. However, in the painting of his frightening greatness also manifested.
Petrus Christus. Our Lady of the Dry Tree Continue reading

Without red sad palette. Color as a symbol in painting

It is impossible not to notice. He is one of the most preferred and expressive. He – the first in the history of art, not to mention the chromatic scale. He attracted attention to himself since ancient times: and because these are the properties of his nature and of human nature; and because it is associated with such vital concepts as blood and fire. Having absorbed natural meanings, red does not part with them throughout the entire history of mankind.
Ever since antiquity, red has been expressing mostly positive values, but it is also not necessary to discount the coded signals of danger and pain coded in it.
For example, in ancient Egypt, red absorbed the qualities of an uninhabited and barren land and therefore became the color of evil. It is for this reason that Seth, the brother and murderer of Osiris, was painted with red ocher. The same color was used to write words that carried unkind omens. Continue reading

Transmuseum by Igor Gusev in OXM

In October 2018, the Odessa Art Museum opened the Transmuseum experimental project of the artist Igor Gusev, which became an artistic intervention in the museum exhibition of classical art. Getting into the halls of classical art and being among the paintings of the XIX century, the viewer discovers a visual paraphrase of these images and joins the object search game. The concentration of Gusev’s works in the museum is small – 10 works in 13 rooms, which allows the “invasion” to remain delicate and unobtrusive.
In addition to painting, the artist presented the installation, which is located in the central “dance” hall of the museum palace and is a generalized image of the exhibition. Continue reading

ART-TALK: DIMA MIKITENKO

We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of the project, our heroes, who are directly part of the Ukrainian art sphere, share their thoughts on contemporary art, its role in Ukrainian society and the iconic works of the Odessa Art Museum. This time Masha Zeloeva spoke with artist Dima Mykytenko, who in his works combines arbitrary forms with graphic elements, creating his own visual poetry. Continue reading

ANNA YERMOLOVA: "COMMUNICATION WITH THE HELP OF A PHOTO"
The young Moscow photographer Anna Yermolova is one of those people who consider photography as their profession, so she began with a serious special education. By the way, she only…

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RUN GUNERYUSSEN: THE EASY-SURREALISTIC WORLD
The heroes of the conceptual work of the photo artist Rune Gunerjussen - furniture, electrical appliances and telephones. Lamps arrange revolutions and travel. Chairs dance, debate and admire nature. Phones…

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RUN GUNERYUSSEN: THE EASY-SURREALISTIC WORLD
The heroes of the conceptual work of the photo artist Rune Gunerjussen - furniture, electrical appliances and telephones. Lamps arrange revolutions and travel. Chairs dance, debate and admire nature. Phones…

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