Gothic originated in the middle of the XII century in northern France, in the XIII century, spread to the territory of modern Germany, Austria, the Czech Republic, Spain, England, and at the end of the XIV century, came to Italy. In Eastern Europe, style came later and lasted the longest – until the XVI century.
This happened because Gothic replaced the Romanesque style, which originated and spread from Italy – the country unconsciously resisted new trends from the outside.
Of course, the Gothic style is most noticeable in architecture. However, in the painting of his frightening greatness also manifested.
Petrus Christus. Our Lady of the Dry Tree Continue reading
It is impossible not to notice. He is one of the most preferred and expressive. He – the first in the history of art, not to mention the chromatic scale. He attracted attention to himself since ancient times: and because these are the properties of his nature and of human nature; and because it is associated with such vital concepts as blood and fire. Having absorbed natural meanings, red does not part with them throughout the entire history of mankind.
Ever since antiquity, red has been expressing mostly positive values, but it is also not necessary to discount the coded signals of danger and pain coded in it.
For example, in ancient Egypt, red absorbed the qualities of an uninhabited and barren land and therefore became the color of evil. It is for this reason that Seth, the brother and murderer of Osiris, was painted with red ocher. The same color was used to write words that carried unkind omens. Continue reading
In October 2018, the Odessa Art Museum opened the Transmuseum experimental project of the artist Igor Gusev, which became an artistic intervention in the museum exhibition of classical art. Getting into the halls of classical art and being among the paintings of the XIX century, the viewer discovers a visual paraphrase of these images and joins the object search game. The concentration of Gusev’s works in the museum is small – 10 works in 13 rooms, which allows the “invasion” to remain delicate and unobtrusive.
In addition to painting, the artist presented the installation, which is located in the central “dance” hall of the museum palace and is a generalized image of the exhibition. Continue reading