THE MOST EXPENSIVE PHOTOS IN THE WORLD COST MORE THAN $ 1 000 000
The cost of some photos is comparable to the cost of the most famous works of great artists of the Renaissance. How valuable are these photographs? What distinguishes them from…

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ERNST HAAAS: "EXPERIMENTAL ARTIST"
Ernst Haas is a famous photojournalist of the last century who made a huge contribution to the development and recognition of color photography. The best characteristic of this man probably…

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ANNA YERMOLOVA: "COMMUNICATION WITH THE HELP OF A PHOTO"
The young Moscow photographer Anna Yermolova is one of those people who consider photography as their profession, so she began with a serious special education. By the way, she only…

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“THE WORLD THAT I HAVE REMOVED, DIED”
Romualdas Pozherskis - Honored Worker of Culture of Lithuania, a member of the Union of Lithuanian Photographers and the International Federation of FIAP, winner of the Alfred Toefler Award for…

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crooked rocaille

Rococo – gloss of the XVIII century

Rococo is called the most frivolous and thoughtless of all styles in art. Why then is rococo so significant for Russian visual culture? Why does the definition of the word “Rococo” sound so exotic for our ear – “rococar”? What is the main difference between rococo and baroque, which people of little knowledge often confuse? Finally, why is rococo the direct and immediate ancestor of modern glossy culture? All of this will be discussed below.
Rococo was born in France of the eighteenth century, although the name itself would legitimize only the next century, the nineteenth.
The style got its name from the French word rocaille – shell or sink. Since ancient times, artificial grottoes and bowls of fountains have been decorated with shells, and later, ornaments repeating the twisted, rounded outlines of sinks began to be actively used in the interior design. By the XVIII century, interest in them only grew. Continue reading

STANDING GENRE PHOTO OLEGA OPRISKO
The young Ukrainian artist Oleg Oprisko early connected his life with photography and formed his own easily recognizable style. He uses only the film technique and carefully thinks through the…

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ART-TALK: DIMA MIKITENKO
We continue a series of author interviews from representatives of the newly inspired team of the Odessa Art Museum: the curator Masha Zeloleva and PR-shchika Hera Grudeva. As part of…

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