RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS
Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even…

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EXHIBITION PROJECT "SPECIAL FUND: REPRESSED ART"
The Odessa Art Museum in partnership with the National Art Museum of Ukraine and with the support of the Ukrainian Cultural Foundation presents the project “Special Fund: Repressed Art”. The…

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Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!
Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally…

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ANDREY BELKOV: MEDITATING WITH A CAMERA
Photography for Andrey is a passion that takes up all his time, free from main activity. That's why he loves landscape and still life, because these genres give him the…

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great influence

Rococo – gloss of the XVIII century

Rococo is called the most frivolous and thoughtless of all styles in art. Why then is rococo so significant for Russian visual culture? Why does the definition of the word “Rococo” sound so exotic for our ear – “rococar”? What is the main difference between rococo and baroque, which people of little knowledge often confuse? Finally, why is rococo the direct and immediate ancestor of modern glossy culture? All of this will be discussed below.
Rococo was born in France of the eighteenth century, although the name itself would legitimize only the next century, the nineteenth.
The style got its name from the French word rocaille – shell or sink. Since ancient times, artificial grottoes and bowls of fountains have been decorated with shells, and later, ornaments repeating the twisted, rounded outlines of sinks began to be actively used in the interior design. By the XVIII century, interest in them only grew. Continue reading

AUGUST ZANDER EXHIBITION OPENED IN MULTIMEDIA ART MUSEUM

An exhibition of August Zander, an outstanding photographer of the twentieth century, entitled “Portrait. Landscape. Architecture”. The exhibition presents about 150 photographs, including the famous portraits from the project “People of the Twentieth Century”, landscape and architectural photographs taken in Germany. The exhibition was conceived by the grandson of the photographer Gerd Zander and organized in cooperation with the Prischi Paskwer Gallery (Cologne), as well as the Theater of Photography and Images of Charles Negra (Nice). Continue reading

LOOKING INTO YOURSELF AND IN THE WORLD
Maxim Grigorenko removes mainly film cameras in the multi-exposure technique, and the process itself turns into just some kind of mystery, where the mind and consciousness are moving aside, yielding…

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Pleated fabric. Draperies as a symbol in art
Folded fabric as a visual code accumulates a powerful expressive power. Since the beginnings of classical sculpture, drapery has been a powerful visual tool. In the Middle Ages, it appeared…

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