RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS
Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even…

Continue reading →

Pleated fabric. Draperies as a symbol in art
Folded fabric as a visual code accumulates a powerful expressive power. Since the beginnings of classical sculpture, drapery has been a powerful visual tool. In the Middle Ages, it appeared…

Continue reading →

SVETLANA POZHARSKAYA: MASTER OF SPIRAL PHOTO
Svetlana Pozharskaya has always been attracted to art, and to art, not large-scale and official, but to her own, personal, sincere. As a child, she literally fell in love with…

...

STANDING GENRE PHOTO OLEGA OPRISKO
The young Ukrainian artist Oleg Oprisko early connected his life with photography and formed his own easily recognizable style. He uses only the film technique and carefully thinks through the…

...

great influence

Rococo – gloss of the XVIII century

Rococo is called the most frivolous and thoughtless of all styles in art. Why then is rococo so significant for Russian visual culture? Why does the definition of the word “Rococo” sound so exotic for our ear – “rococar”? What is the main difference between rococo and baroque, which people of little knowledge often confuse? Finally, why is rococo the direct and immediate ancestor of modern glossy culture? All of this will be discussed below.
Rococo was born in France of the eighteenth century, although the name itself would legitimize only the next century, the nineteenth.
The style got its name from the French word rocaille – shell or sink. Since ancient times, artificial grottoes and bowls of fountains have been decorated with shells, and later, ornaments repeating the twisted, rounded outlines of sinks began to be actively used in the interior design. By the XVIII century, interest in them only grew. Continue reading

AUGUST ZANDER EXHIBITION OPENED IN MULTIMEDIA ART MUSEUM

An exhibition of August Zander, an outstanding photographer of the twentieth century, entitled “Portrait. Landscape. Architecture”. The exhibition presents about 150 photographs, including the famous portraits from the project “People of the Twentieth Century”, landscape and architectural photographs taken in Germany. The exhibition was conceived by the grandson of the photographer Gerd Zander and organized in cooperation with the Prischi Paskwer Gallery (Cologne), as well as the Theater of Photography and Images of Charles Negra (Nice). Continue reading

“THE WORLD THAT I HAVE REMOVED, DIED”
Romualdas Pozherskis - Honored Worker of Culture of Lithuania, a member of the Union of Lithuanian Photographers and the International Federation of FIAP, winner of the Alfred Toefler Award for…

...

OH, ALREADY THESE ANIMALS! PROJECT "WE LIVE ON ONE PLANET"
To draw attention to the protection of endangered species of animals is a worthy goal. First of all, it was her who was persecuted by the famous Moscow photographer Oleg…

...