Alexandra Exter: Amazon, carried away by the whirlwind of the revolution
Malevich, "inventing" Suprematism, did not let anyone into the workshop. The only exception was the avant-garde artist Alexandra Exter. Once a resident of Kiev, having moved to France, she taught…

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CHRISTOPHER JACQUES: LYRIC WORLD OF RAIN AND SNOW
French photographer Christophe Jacques chooses an unusual time for his work. These are moments when the city is dominated by heavy rain; when the world outside the window, through which…

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TRANSFORMATION OF ART IN THE MODERN WORLD: NO-ART
One of the main features of modern art is the ability to change depending not only on social trends, but also on new technologies that change our world almost every…

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“THE WORLD THAT I HAVE REMOVED, DIED”
Romualdas Pozherskis - Honored Worker of Culture of Lithuania, a member of the Union of Lithuanian Photographers and the International Federation of FIAP, winner of the Alfred Toefler Award for…

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great influence

Rococo – gloss of the XVIII century

Rococo is called the most frivolous and thoughtless of all styles in art. Why then is rococo so significant for Russian visual culture? Why does the definition of the word “Rococo” sound so exotic for our ear – “rococar”? What is the main difference between rococo and baroque, which people of little knowledge often confuse? Finally, why is rococo the direct and immediate ancestor of modern glossy culture? All of this will be discussed below.
Rococo was born in France of the eighteenth century, although the name itself would legitimize only the next century, the nineteenth.
The style got its name from the French word rocaille – shell or sink. Since ancient times, artificial grottoes and bowls of fountains have been decorated with shells, and later, ornaments repeating the twisted, rounded outlines of sinks began to be actively used in the interior design. By the XVIII century, interest in them only grew. Continue reading

AUGUST ZANDER EXHIBITION OPENED IN MULTIMEDIA ART MUSEUM

An exhibition of August Zander, an outstanding photographer of the twentieth century, entitled “Portrait. Landscape. Architecture”. The exhibition presents about 150 photographs, including the famous portraits from the project “People of the Twentieth Century”, landscape and architectural photographs taken in Germany. The exhibition was conceived by the grandson of the photographer Gerd Zander and organized in cooperation with the Prischi Paskwer Gallery (Cologne), as well as the Theater of Photography and Images of Charles Negra (Nice). Continue reading

Fountain as a symbol in art: Farewell, fountain of tears! Long live, source of joy!
Fountains are not ugly. For the people of the Ancient world, the civilizations of the Mediterranean and Asia, this hydraulic device was vital. Both the poor and the rich equally…

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ANNA YERMOLOVA: "COMMUNICATION WITH THE HELP OF A PHOTO"
The young Moscow photographer Anna Yermolova is one of those people who consider photography as their profession, so she began with a serious special education. By the way, she only…

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