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ANDREY BELKOV: MEDITATING WITH A CAMERA
Photography for Andrey is a passion that takes up all his time, free from main activity. That’s why he loves landscape and still life, because these genres give him the opportunity to take a break from work: he talks to the world, and the world talks to him.
Please tell us how you discovered the world of photography and how long ago did you start photographing?
I began photographing as a child, displaying black and white films myself and printing photos in a dark room. Of course, at that time I was taking pictures of my family and friends for a home album. And he consciously came into the photo in 2005, having bought for himself the first DSLR camera, the Canon 300D. Continue reading
RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS
Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even mysticism are the characteristic features of such works. We represent 15 authors working in this genre.
Another French photographer, Jean Baudrillard, said: “If there is no such ambiguity, this tremor, if the action is completely mechanistic, if the system is unmistakably focused, then we will be on the verge of insanity. Continue reading
“WITHOUT PAIN IS IMPOSSIBLE TO CREATE ANYTHING DEEP”
Zewar Fadhil is a talented photographer from Iraq, a country that in recent decades is not the best place for a photo artist. Nevertheless, he is an example of the fact that photography does not recognize restrictions.
Fadhil himself assures that with his creativity only shows what his inner voice, inspiration and dreams say. In his works you can see the huge and seemingly empty world of an endless city, which the author travels alone.
The photographer tells about the beginning of his career as follows: “I turned to photography as a child. My grandmother had a pretty decent library of books on philosophy and art and travel magazines. I spent a lot of time studying all this. Continue reading
