world art
Iconography: to see the invisible
From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection,…

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CHRISTOPHER JACQUES: LYRIC WORLD OF RAIN AND SNOW
French photographer Christophe Jacques chooses an unusual time for his work. These are moments when the city is dominated by heavy rain; when the world outside the window, through which…

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LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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PORTRAITS as a mirror of the soul
Portrait is a realistic genre depicting a person or a group of people existing in reality. The portrait - in French reading - portrait, from the old French portraire -…

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much as possible

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ROYAL WORLDS MARGARITS KAREVA

Margarita Kareva began studying photography relatively recently – only about two years ago. Now her portfolio is already a gallery of unique images – magical, beautiful, vivid and memorable. Margarita told us about her understanding of creativity and the genre of artistic production photography in a special interview.
– Margarita, hello! Please tell us how long have you been shooting and how did you discover a photo?
– It all started very unexpectedly: two years ago, my husband for the new year gave me a Canon 500D reflex camera. A couple of months later I signed up for a basic course at a local photo school. Continue reading →

Posted in became involved, completely divorced, extent did, master class, staged photography
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Alexandra Exter: Amazon, carried away by the whirlwind of the revolution
Malevich, "inventing" Suprematism, did not let anyone into the workshop. The only exception was the avant-garde artist Alexandra Exter. Once a resident of Kiev, having moved to France, she taught…

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LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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