RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS
Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even…

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KONSTANTIN OF MUSHROOMS ABOUT THE “GENERALITY” OF GENERS OF PHOTO
Fascinated by the magic of film from childhood, Konstantin Gribov from an early age realized that he wanted to link his life with photography. He works in different genres, and…

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LIGHT AND SHADE MARIA'S SPARROW
Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive…

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ART PHOTO OF VLADIMIR SELEZNYEV
Photos of Vladimir Seleznev demonstrate an unusual approach to the creative process - it does not capture an interesting moment, but creates from everything that it sees around, a static…

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everyday things

Gothic: the whole mystic of the Middle Ages

Gothic originated in the middle of the XII century in northern France, in the XIII century, spread to the territory of modern Germany, Austria, the Czech Republic, Spain, England, and at the end of the XIV century, came to Italy. In Eastern Europe, style came later and lasted the longest – until the XVI century.
This happened because Gothic replaced the Romanesque style, which originated and spread from Italy – the country unconsciously resisted new trends from the outside.
Of course, the Gothic style is most noticeable in architecture. However, in the painting of his frightening greatness also manifested.
Petrus Christus. Our Lady of the Dry Tree Continue reading

EXHIBITION PROJECT “SPECIAL FUND: REPRESSED ART”

The Odessa Art Museum in partnership with the National Art Museum of Ukraine and with the support of the Ukrainian Cultural Foundation presents the project “Special Fund: Repressed Art”.
The exhibition presents 80 works from the collection of NHMU, which were mothballed in the late 1930s and have been hidden from public view for many decades. Most of the works presented in Odessa are exhibited for the first time. Alexander Bogomazov and Timofey Boichuk, Vadim Meller and Antonina Ivanova, Oksana Pavlenko and David Burliuk, Pavel Golubyatnikov and Konstantin Eleva, Anatoly Petritsky and Suher-Ber Rybak, Victor Palmov and Abram Cherkassky – more than three dozen names of artists, known and forgotten, whose works in 1937, it seemed, they were forever hidden from the audience: “they have no artistic or museum value, and, as works of the enemies of the people, are to be destroyed”. Continue reading

ART PHOTO AND BLOCKCHAIN

1. For every potential (and real) buyer of a visual work of art (in our case, photography) thousands of images fall down every day. And even despite the constant growth in the quality of this visual range, thanks to expensive advertising and popular communities in social networks, the level of aesthetic and visual culture is still quite low. And the level of understanding of photography as a work of art generally tends to zero. Continue reading

“PHOTOGRAPHY IS A WAY TO DISASTER FEAR”
The head of the studio and the news presenter on the Kultura TV channel, the winner of the TEFI award Vladislav Flyarkovsky is an experienced photographer. He has been engaged…

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RUN GUNERYUSSEN: THE EASY-SURREALISTIC WORLD
The heroes of the conceptual work of the photo artist Rune Gunerjussen - furniture, electrical appliances and telephones. Lamps arrange revolutions and travel. Chairs dance, debate and admire nature. Phones…

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