SVETLANA POZHARSKAYA: MASTER OF SPIRAL PHOTO
Svetlana Pozharskaya has always been attracted to art, and to art, not large-scale and official, but to her own, personal, sincere. As a child, she literally fell in love with…

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“WITHOUT PAIN IS IMPOSSIBLE TO CREATE ANYTHING DEEP”
Zewar Fadhil is a talented photographer from Iraq, a country that in recent decades is not the best place for a photo artist. Nevertheless, he is an example of the…

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Who, where, when: guide to the thin ice of stained glass
Which of the great artists engaged in stained glass art? Where, looking out the window, you can see the picture, through which the light penetrates? Gaudi, Fly, Chagall, Tiffany and…

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The art of digital photography
Now the situation has changed. Every person has a camera. Many have a smartphone with an integrated camera in their pocket. This divided the photograph into two types: reportage photography…

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my childhood

FANTASY AND REALITY OF JULI DE VAROKIE PHILOSOPHICAL PHOTO WORLD

She has been in the world of photography quite recently, since 2008, but in four years, Julie has already received seven different photo awards. She is only 23 years old. However, all these “only” and “recently” in combination with the French temperament and philosophical education help her create her own world, reflected in the pictures.
Julie de Varokie is a self-taught photographer from France who started her photo career in 2008. She is still a student at the French Ecole Normale Supérieure, where she received a philosophical education, and that philosophy became the main plot of her works. In her photographs, fantasies and reality intertwined, naive children’s dreams and adult conceptualism, a routine of life and fairy tales. Continue reading

RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS
Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even…

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Alexandra Exter: Amazon, carried away by the whirlwind of the revolution
Malevich, "inventing" Suprematism, did not let anyone into the workshop. The only exception was the avant-garde artist Alexandra Exter. Once a resident of Kiev, having moved to France, she taught…

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