STANDING GENRE PHOTO OLEGA OPRISKO
The young Ukrainian artist Oleg Oprisko early connected his life with photography and formed his own easily recognizable style. He uses only the film technique and carefully thinks through the…

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“WITHOUT PAIN IS IMPOSSIBLE TO CREATE ANYTHING DEEP”
Zewar Fadhil is a talented photographer from Iraq, a country that in recent decades is not the best place for a photo artist. Nevertheless, he is an example of the…

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“PHOTOGRAPHY IS A WAY TO DISASTER FEAR”
The head of the studio and the news presenter on the Kultura TV channel, the winner of the TEFI award Vladislav Flyarkovsky is an experienced photographer. He has been engaged…

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LOOKING INTO YOURSELF AND IN THE WORLD
Maxim Grigorenko removes mainly film cameras in the multi-exposure technique, and the process itself turns into just some kind of mystery, where the mind and consciousness are moving aside, yielding…

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RECEPTION OF MULTIEXPOSITION: 15 BEST MASTERS

Double exposure as one of the ways to create a multi-valued frame, resembling either a dream or a mixture of realities, has always attracted photographers. Intentional vagueness, allegorical and even mysticism are the characteristic features of such works. We represent 15 authors working in this genre.
Another French photographer, Jean Baudrillard, said: “If there is no such ambiguity, this tremor, if the action is completely mechanistic, if the system is unmistakably focused, then we will be on the verge of insanity. Continue reading

“WITHOUT PAIN IS IMPOSSIBLE TO CREATE ANYTHING DEEP”

Zewar Fadhil is a talented photographer from Iraq, a country that in recent decades is not the best place for a photo artist. Nevertheless, he is an example of the fact that photography does not recognize restrictions.
Fadhil himself assures that with his creativity only shows what his inner voice, inspiration and dreams say. In his works you can see the huge and seemingly empty world of an endless city, which the author travels alone.
The photographer tells about the beginning of his career as follows: “I turned to photography as a child. My grandmother had a pretty decent library of books on philosophy and art and travel magazines. I spent a lot of time studying all this. Continue reading

LIGHT AND SHADE MARIA’S SPARROW

Both in painting and photography one of the most difficult genres is still life. The author here has to deal with a closed space, a relatively poor set of expressive means, the absence of explicit dynamics in the plot. In the genre of still life, finds are rarely found, even less often – discoveries. The more valuable every luck. One of them is still lifes of photographer Maria Vorobyeva, who managed to find a new approach to this classic genre. Continue reading

SVETLANA POZHARSKAYA: MASTER OF SPIRAL PHOTO
Svetlana Pozharskaya has always been attracted to art, and to art, not large-scale and official, but to her own, personal, sincere. As a child, she literally fell in love with…

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Iconography: to see the invisible
From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection,…

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