“THE WORLD THAT I HAVE REMOVED, DIED”
Romualdas Pozherskis - Honored Worker of Culture of Lithuania, a member of the Union of Lithuanian Photographers and the International Federation of FIAP, winner of the Alfred Toefler Award for…

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Iconography: to see the invisible
From ancient times, icon painting served as a “language for the illiterate” —a special language with its own rules and symbolism. For centuries, master-icon painters have brought it to perfection,…

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"VISUAL HOCKEY". MICHAEL KENNA PHOTOS
The work of the English photographer Michael Kenna is famous for the whole world. His black and white landscapes are majestic, silent, quiet, mysterious and unique in their ability to…

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LOOKING INTO YOURSELF AND IN THE WORLD
Maxim Grigorenko removes mainly film cameras in the multi-exposure technique, and the process itself turns into just some kind of mystery, where the mind and consciousness are moving aside, yielding…

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EXHIBITION PROJECT “SPECIAL FUND: REPRESSED ART”

The Odessa Art Museum in partnership with the National Art Museum of Ukraine and with the support of the Ukrainian Cultural Foundation presents the project “Special Fund: Repressed Art”.
The exhibition presents 80 works from the collection of NHMU, which were mothballed in the late 1930s and have been hidden from public view for many decades. Most of the works presented in Odessa are exhibited for the first time. Alexander Bogomazov and Timofey Boichuk, Vadim Meller and Antonina Ivanova, Oksana Pavlenko and David Burliuk, Pavel Golubyatnikov and Konstantin Eleva, Anatoly Petritsky and Suher-Ber Rybak, Victor Palmov and Abram Cherkassky – more than three dozen names of artists, known and forgotten, whose works in 1937, it seemed, they were forever hidden from the audience: “they have no artistic or museum value, and, as works of the enemies of the people, are to be destroyed”. Continue reading

SVETLANA POZHARSKAYA: MASTER OF SPIRAL PHOTO
Svetlana Pozharskaya has always been attracted to art, and to art, not large-scale and official, but to her own, personal, sincere. As a child, she literally fell in love with…

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Classicism: antiquity as a standard
Classicism firmly established in the 17th century European art, having surrendered its position only in the first third of the next century. The classicists worshiped antiquity, piously believed in the…

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